Glenmore, Co. Kilkenny, Ireland

September, 2022

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Glenmore: Limestone Kilns [updated]

Unlike other areas of Ireland where subsistence farming was the norm, the farmers of eastern Leinster engaged in commercial agriculture. In other words, crops were being grown to be sold rather than for subsistence. In 1770, the chief trade was in flour sold to the growing city of Dublin. By the start of the Famine crops were being grown for breweries. This commercialisation of the tillage economy is credited with causing a rapid population increase in the early 19th century. Farm labourers who made up about half the population in the region were given a small cottage and around 0.4 hectares of land. These plots were locally known as haggards and were used for growing potatoes and cereal crops by the farm labourers. After the famine farming moved from tillage to grazing. Between 1851 and 1911 arable land in Ireland halved from 1.8 million hectares to 0.9 million. Grazing with live cattle exports to Britain increased from 200,000 animals in the 1840’s to 400,000 animals in the 1860’s. The last decade of the 19th century saw this increased to 800,000 animals (Kevin Whelan, (1997) “The Modern Landscape from Plantation to Present” in Atlas of the Irish Rural Landscape, p. 67).

Lime Kilns of Glenmore

The landscape of Glenmore still has the ruins of old lime kilns that long ago were used for the production of quicklime or buntlime. One good example is at the crossroads in Ballycroney. Quicklime was produced by heating limestones at high temperatures in a lime kiln. Quickline was used in agriculture to change the PH of the soil and in building projects for mortar. Farm lime kilns were very common in the 18th and early part of the 19th century. They were replaced in the second half of the 19th century, after the Famine, by industrial lime and brick works. There were two types of permanent farm kilns used in the production of quicklime for agricultural purposes, namely: draw kilns and the less common flare kilns. Both kilns were loaded from the top and had their fire boxes at the bottom. Kilns were usually built into the bank of a hillside and enclosed on the other three sides by a stone-built rectangular shaped structure. The draw-hole or stoke hole was located at the front of the kiln base. It provided draft and access to the fire and was where the quicklime was removed. The draw hole was often built large enough to accommodate two men and sometimes a cart. Draw kilns burned limestone in a continuous process (p.19). Because of the need to generate temperatures in the region of 1000 degrees Celsius for long periods, lime kilns required a large amount of fuel. In the late 19th century in Munster, furze was the main fuel source. In other parts of Ireland furze was used to start the fire or was mixed with other fuels (Muiris O’Sullivan & Liam Downey, “Lime Kilns,” (19)2 Archaeology Ireland (Summer 2005) pp. 18-22).

Danny Dowling (1927-2021) interviewed Nicky “the Miller” Forristal (1888-1979) in November 1977 (DD Notebook 5) concerning the burning of lime in Glenmore. Nicky stated that the local farmers brought limestone from the quarries at Dunkitt, in Kilmacow, up river in a gabbard. “After discharge at the local quays the stones were transported in horse and cart to the lime kilns. They were then spalled—that is to say that they were broken to the size of about 2 hands clenched together. The kiln was then packed in the follow order: 1st furze at bottom to light the culm; 2nd on this was placed a layer of culm; and 3rd next a layer of limestone. After this it was every alternate layer of culm and limestone until the kiln was filled to the top. It was then set alight and it burned for 3 or 4 days.” According to a modern dictionary culm was coal dust.

Nicky went on to state that as a chap he saw the kilns at Ballyverneen Quay, and at Ennett’s in Cappagh, burning lime on a few occasions. Lime kilns were situated at the following locations:

(1) A kiln was located on Kiln Hill which was over Glenmore ½ way up on Neddie Connor’s side in Cody’s field, in the townland of Graiguenakill.

(2) Ballyverneen—at Waterford side of Maid’s Quay on other side of road.

(3) Ballyverneen—at Quay opposite Dick Dunphy’s cottage where Dolan’s later lived. It was fed from the roadroad. Although the kiln is gone its outline can still be seen.

(4) Graiguenakill–on Barron’s Quay below Forristal’s Mill. This Quay was public and was an open space years ago. Paddy Forristal in an interview in 1980 referred to it being on a commons and noted the kiln was gone.

(5) Cappah–at top of Ennet’s Marsh. It is gone.

(6) Jamestown–at top of Main Roche’s Hill in Green’s field. It is gone.

(7) Bishopstown–opposite Richie Hennessey’s cottage.

(8) Bishopstown–at Ballybrahee Lane.

(9) Weatherstown–on the commons.

Given the prominence of the kiln at the crossroads in Ballycroney it is surprising it was not mentioned. We did find it recorded on the Orinance Survey Map. If readers are aware of where other lime kilns were or are located in or around Glenmore parish would you please send the information to glenmore.history@gmail.com ?

[Update 6 Sept. 2022, Martin Forristal identified a lime kiln in Rochestown near the river. See Martin’s comment below for further details.]

Kearney Bay Lime Kiln

[Update 6 Sept 2022, Brian Forristal identified and sent the photo to the right of a lime kiln in Kearney Bay. It is located down the rock Road, past Tom Heffernan’s farm. It is about half a mile from there on the right hand side.]

 

Life & Death

After lime kilns fell out of use at least one family lived in the Graiguenakill lime kiln. Billy Fleming and his sister Jane Fleming made the Graiguenakill kiln their home (Danny Dowling, Notebook 8 (1955)).  Unfortunately, no further information was provided by Danny regarding Billy Fleming or his sister Jane or when they resided in the kiln. A quick search of the parish records presented a possible match. There was a William Fleming baptized at Glenmore on 16 March 1826 to Patrick Fleming and his wife Margaret Barden. No similar record could be located for Jane Fleming, but Patrick and Margaret had another son Peter (bapt. 8 July 1824) at Grangekille (sic) Glenmore.

Lastly, while performing a newspaper search (for something else) the following article was found regarding a kiln operated in Carrigcloney, Glenmore in 1827. This article was found in the Drogheda Journal, or Meath & Louth Advertiser (Sat. 19 May 1827) and appears to have been copied from the Waterford Chronicle. It highlights the dangers associated with lime burning.

Melancholy Occurrence. —On Thursday last, a poor limeburner, named Freeman, while working at a kiln, at Carrigcloney, Parish of Glenmore, County Kilkenny, the man below was drawing the lime, many of the stones above, from being overburned, calcined or adhering to the side of the kiln, when the poor fellow walked on the side of the kiln, and with a pole endeavoured to cause the lime to pass, it immediately shifted, and he, poor creature, got fast in the middle of it. The exertions of four stout men pulling him by the arms, were not aide to disengage him, until they procured rope a short distance off, he burning all the time, by fastening it under his arms they brought him up. He died a short time afterwards in great agony.Waterford Chronicle.

Freeman is not a common Glenmore name, however in the parish records we did find where a Laurence Freeman, in nearby Rathanure (sic) married Margaret Day, of Rathanure, on 14 January 1824 at Glenmore.  Witnesses were Nancy Freeman and Mary Grant. The poor man who was burned in the kiln was not Laurence as Laurence and his wife had 2 children born after May 1827. The couple had Bridget Freeman (bapt. 17 March 1828) and Laurence Freeman (bapt. 15 Dec. 1830). Turning to Griffiths Valuation 1829, a John Freeman of Rathinure is listed. What relationship, if any, the Rathinure Freemans may have had to the deceased limeburner is not known.

Please send any corrections and further information to glenmore.history@gmail.com . The photos of the kiln at the Ballycroney cross was taken last week.

Dr. Kathleen Moore Walsh